我用白色鉛筆在黑色的紙上畫(huà)畫(huà)

我用白色鉛筆在黑色的紙上畫(huà)畫(huà)

My name is Kay Lee. I’m Malaysian. I use a white pencil to capture light and expression on black paper.

我叫李凱。來(lái)自馬來(lái)西亞。我用白色的鉛筆在黑色的紙上捕捉光線(xiàn)和表情。

Editor's note: cross-hatching is an interesting technique. It had developed in Western art in 15th century, following the advances of hatching technique in Middle Ages. It's principle is very simple: you place 2 lines at an angle with one another to create shading, or, in my case, a lighting effect. It's used in essentially linear media like drawing, printmaking, engraving, and etching. It can be either loose and approximate or strict and calculated, drawn with a ruler—the object usually defines which one is better to use in which case.

編者注:交叉孵化是一種有趣的技術(shù)。在西方藝術(shù)中，隨著中世紀(jì)孵化技術(shù)的發(fā)展，它在15世紀(jì)得到了發(fā)展。它的原理非常簡(jiǎn)單:你在兩條線(xiàn)之間放置一個(gè)角度來(lái)創(chuàng)建陰影，或者，在我的例子中，創(chuàng)建一個(gè)光照效果。它主要用于線(xiàn)性介質(zhì)，如繪畫(huà)、版畫(huà)、雕刻和蝕刻。它可以是松散的和近似的，也可以是嚴(yán)格的和經(jīng)過(guò)計(jì)算的，使用規(guī)則繪制——對(duì)象通常定義在哪種情況下使用哪種更好。

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圖片來(lái)源：Kay Lee Artwork

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