Unit 8
Section A
Pre-reading Activities
First Listening
Having ideas about a story before you read it is an important reading skill. Please listen to a very short piece of recording.
Second Listening
Now listen to the recording for the second time and try to the best of your ability to answer the following questions.
1. Where do good ideas come from?
2. How many examples or ways of getting good ideas are discussed?
3. How did Wagner get the idea for the beginning of his music?
Birth of Bright Ideas
No satisfactory way exists to explain how to form a good idea. You think about a problem until you're tired, forget it, maybe sleep on it, and then flash! When you aren't thinking about it, suddenly the answer arrives as a gift from the gods.
Of course, all ideas don't occur like that but so many do, particularly the most important ones. They burst into the mind, glowing with the heat of creation. How they do it is a mystery but they must come from somewhere. Let's assume they come from the "unconscious." This is reasonable, for psychologists use this term to describe mental processes which are unknown to the individual. Creative thought depends on what was unknown becoming known.
All of us have experienced this sudden arrival of a new idea, but it is easiest to examine it in the great creative personalities, many of whom experienced it in an intensified form and have written it down in their life stories and letters. One can draw examples from genius in any field, from religion, philosophy, and literature to art and music, even in mathematics, science, and technical invention, although these are often thought to depend only on logic and experiment. All truly creative activities depend in some degree on these signals from the unconscious, and the more highly insightful the person, the sharper and more dramatic the signals become.
Take the example of Richard Wagner composing the opening to "Rhinegold". Wagner had been occupied with the idea of the "Ring" for several years, and for many months had been struggling to begin composing. On September 4, 1853, he reached Spezia sick, went to a hotel, could not sleep for noise without and fever within, took a long walk the next day, and in the afternoon flung himself on a couch intending to sleep. Then at last the miracle happened for which his unconscious mind had been seeking for so long. Falling into a sleeplike condition, he suddenly felt as though he were sinking in a mighty flood of water, and the rush and roar soon took musical shape within his brain. He recognized that the orchestral opening to the "Rhinegold", which he must have carried about within him yet had never been able to put it into form, had at last taken its shape within him. In this example, the conscious mind at the moment of creation knew nothing of the actual processes by which the solution was found.
As a contrast, we may consider a famous story: the discovery by Henri Poincare, the great French mathematician, of a new mathematical method called the Fuchsian functions. Here we see the conscious mind, in a person of highest ability, actually watching the unconscious at work. For weeks, he sat at his table every day and spent an hour or two trying a great number of combinations but he arrived at no result. One night he drank some black coffee, contrary to his usual habit, and was unable to sleep. Many ideas kept surging in his head; he could almost feel them pushing against one another, until two of them combined to form a stable combination. When morning came, he had established the existence of one class of Fuchsian functions. He had only to prove the results, which took only a few hours. Here, we see the conscious mind observing the new combinations being formed in the unconscious, while the Wagner story shows the sudden explosion of a new concept into consciousness.
A third type of creative experience is exemplified by the dreams which came to Descartes at the age of twenty-three and determined his life path. Descartes had unsuccessfully searched for certainty, first in the world of books, and then in the world of men. Then in a dream on November 10, 1619, he made the significant discovery that he could only find certainty in his own thoughts, cogito ergo sum ("I think; therefore, I exist"). This dream filled him with intense religious enthusiasm.
Wagner's, Poincare's, and Descartes' experiences are representative of countless others in every field of culture. The unconscious is certainly the source of instinctive activity. But in creative thought the unconscious is responsible for the production of new organized forms from relatively disorganized elements.
Words: 707
NEW WORDS
satisfactory
a. good enough to be pleasing, or for a purpose, rule, standard, etc. 令人滿意的
flash
vi. 1. (of an idea) come suddenly 突然產(chǎn)生(想法、靈感)
2. move very fast 飛馳,掠過
particularly
ad. especially 特別是
glow
vi. 1. produce light and heat without fire 發(fā)光,發(fā)熱
2. show strong or warm color 呈現(xiàn)鮮艷的顏色
▲creation
n. creating 創(chuàng)造
mystery
n. something that is not fully understood 謎
reasonable
a. showing common sense; fair 合理的,適當(dāng)?shù)?br />
psychologist
n. a person trained and educated to perform psychological research, testing and treatment 心理學(xué)家
process
n. a connected set of actions or events that produce continuation or slow change 過程,進(jìn)程
individual
n. a human being regarded as unique 個(gè)體,個(gè)人
personality
n. 1. a person who is well-known to the public 名人
2. the quality or condition of being a person 人的品質(zhì)或條件
▲intensify
v. make or become stronger 增強(qiáng),加強(qiáng)
genius
n. 1. [C] a person of exceptional natural ability 天才
2. [U] strong natural ability 天賦
religion
n. belief in the existence of a god or gods or a creative force of greater power outside of one's self 宗教
philosophy
n. the search for knowledge and understanding of the nature and meaning of all the natural world including human life 哲學(xué)
invention
n. 1. the action of creating something new 發(fā)明
2. something created 發(fā)明物
logic
n. the science of thinking about or explaining the reasons for sth. 邏輯;邏輯學(xué)
truly
ad. 1. really; completely 真正地
2. honestly; exactly as described 真誠(chéng)地,真心地
highly
ad. very; to an unusually great degree 非常
dramatic
a. 1. sudden, exciting, not expected 引人注目的
2. about drama or acting 戲劇的;演戲的
compose
v. create or produce (a written or musical piece) 創(chuàng)作(文學(xué)或音樂)
occupy
vt. 1. engage, employ, or busy (oneself) 把注意力集中于……
2. fill up (time or space) 占用(時(shí)間或空間)
▲fling
vt. 1. throw with force 猛扔,拋
2. move oneself or part of one's body suddenly or forcefully 猛烈地移動(dòng),急動(dòng)
▲couch
n. a long comfortable seat; a sofa 沙發(fā)
miracle
n. an act or event that cannot be explained by known laws of nature 奇跡
▲mighty
a. having or showing great power, skill, strength, or force 強(qiáng)大的,巨大的
recognize
vt. 1. realize or be aware that sth. exists or is true 注意到,認(rèn)識(shí)到
2. identify as previously known; know sth. or sb. 認(rèn)出
orchestral
a. of or by a large group of musicians who play various musical instruments together 管弦樂的,管弦樂隊(duì)的
contrast
n. (with, between) unlikeness or difference shown by comparing objects or people 對(duì)照;(對(duì)照中的)差異
■mathematician
n. a person gifted or learned in mathematics 數(shù)學(xué)家
mathematicial
a. of or related to mathematics 數(shù)學(xué)的
combine
v. come together; act together; unite, join together 結(jié)合,合并
combination
n. something that results from two or more things (esp. chemicals) being combined 結(jié)合,合并;[化]化合物
▲surge
vi. move (as if) in waves 洶涌
stable
a. firm, without movement 穩(wěn)定的
existence
n. the fact or state of existing 存在
observe
vt. see and notice sth. or sb.; watch sth. or sb. carefully 觀察
explosion
n. 1. a sudden bursting out 爆發(fā);驟發(fā);爆炸
2. the act or a moment of sudden increase 激增,擴(kuò)大
concept
n. something formed in the mind; a thought or idea 概念
▲exemplify
vt. show by example 例示,作為……的例子
▲certainty
n. the fact, quality, or state of being certain 確定性,必然性;確實(shí)的事情
enthusiasm
n. 1. great positive feeling for or interest in a subject or cause 熱情,積極性
2. a thing causing this feeling 愛好的事物
representative
a. (of) being like or common to others of the same class 有代表性的
source
n. a place from which sth. comes or is acquired 源泉,來源
responsible
a. 1. being the cause of sth. 是……的原因
2. having the duty of looking after sb. or sth. so that one can be blamed if things go wrong 需負(fù)責(zé)任的,承擔(dān)責(zé)任的
organize
vt. put together into a well-planned, sequenced whole 組織起來
element
n. a necessary part of a whole 元素,成分
PHRASES AND EXPRESSIONS
sleep on sth.
leave sth. undecided or unattended until the next day 暫時(shí)不作決定,過一晚再作決定
a gift from the gods
an unearned, or unexpected, benefit that is greatly valued 不期而獲又大受歡迎的好處,利益
depend on
happen according to; count on 依靠,依賴
write down
record in writing 寫下來
be occupied with
be busy with 忙于做,專心于
seek for
try to find; look for 尋找
as though
as it would be if... 好象,儼然
take shape
take on a defined form 成型
put into
express in 表達(dá)
at work
having an effect; in operation 在起作用
arrive at
reach or make; come to 達(dá)成(協(xié)議);得出(結(jié)論)
search for
look carefully about a place in order to find 搜索,尋找
fill sb. with sth.
cause sb. to experience sth. (like feelings) 使充滿(感情)
PROPER NAMES
Richard Wagner
理查德·瓦格納(1813-1883),德國(guó)作曲家、劇作家
Rhinegold
瓦格納創(chuàng)作的《萊茵河的黃金》
Spezia
斯佩齊亞,意大利西北部港市
Henri Poincare
亨利·龐加萊(1854-1912),法國(guó)數(shù)學(xué)家,物理學(xué)家和作家
Fuchsian functions
富克斯函數(shù)
Descartes
笛卡爾(1596-1650),法國(guó)哲學(xué)家、數(shù)學(xué)家;西方近代哲學(xué)的創(chuàng)始人之一,二元論者、唯理論者
cogito ergo sum
I think; therefore, I exist.[拉丁語]我思,故我在。
閃光思想的產(chǎn)生
閃光的思想是如何形成的,現(xiàn)在還沒有令人滿意的解釋。 你對(duì)某一個(gè)問題思考了很久,直至感到疲勞、把它忘掉了,也許暫時(shí)不去想它了,可后來卻忽然來了靈感! 當(dāng)你不去想它的時(shí)候,答案卻突然從天而降,仿如上蒼賜予你的一份禮物。
當(dāng)然,并非所有的思想都是這樣產(chǎn)生的,但許多思想的產(chǎn)生確實(shí)如此,尤其是那些最為重要的思想。 它們猛然間迸入人的腦海,閃爍著創(chuàng)造的光芒。它們是如何出現(xiàn)在人的腦海中的呢?這還是個(gè)謎。但這些思想一定來自某個(gè)地方。 我們姑且假定它們是來自"潛意識(shí)"吧。這是有道理的,心理學(xué)家就是用這一術(shù)語來描述不為人知的思維過程。 創(chuàng)造性思維有賴于未知的東西變成已知的東西。
我們都有過靈機(jī)一動(dòng)突然有了這樣一個(gè)新想法的經(jīng)歷,而這在那些富有創(chuàng)造性的天才人物身上最顯而易見。他們中的許多人對(duì)這種經(jīng)歷有著強(qiáng)烈的感受,并在回憶錄和信函中將其記錄了下來。 無論是宗教、哲學(xué)、文學(xué),還是藝術(shù)、音樂,甚至數(shù)學(xué)、科學(xué),以及技術(shù)發(fā)明,在任何領(lǐng)域的天才人物身上,我們都能找到這樣的例子,雖然人們常常認(rèn)為數(shù)學(xué)、科學(xué),以及技術(shù)發(fā)明所依賴的僅僅是邏輯和實(shí)驗(yàn)。 一切真正創(chuàng)造性的活動(dòng)似乎在某種程度上都依賴于潛意識(shí)中的這些信號(hào);一個(gè)人洞察力越強(qiáng),這些信號(hào)就越鮮明、越富有戲劇性。
以理查德·瓦格納創(chuàng)作《萊茵河的黃金》的前奏曲為例, 有關(guān)"鐘聲"的創(chuàng)意瓦格納已經(jīng)思考了幾年時(shí)間,而他竭盡全力著手進(jìn)行作曲也已經(jīng)數(shù)月。 1853年9月4日他抵達(dá)斯佩齊亞。當(dāng)時(shí),他正在生病。他去了一家旅館。由于旅館外面噪音太大,而他仍在發(fā)燒,所以他無法入睡。第二天,他出去散步,走了很長(zhǎng)的路,下午,他一頭進(jìn)沙發(fā)想睡一覺。 終于,他的潛意識(shí)長(zhǎng)期以來一直在尋找的奇跡發(fā)生了。他進(jìn)入了似睡非睡的朦朧狀態(tài),驟然間感覺到自己仿佛掉進(jìn)了滔滔洪水之中,不斷在下沉,很快,洪水的沖擊聲和咆哮聲以音樂的形式呈現(xiàn)在他的腦海里。 他意識(shí)到,久存于心中、卻始終未能譜寫成的《萊茵河的黃金》管弦樂前奏曲終于在他腦海里形成了。 在這個(gè)事例中,意識(shí)在創(chuàng)造的時(shí)候?qū)Πl(fā)現(xiàn)答案的實(shí)際過程一無所知。
與之相對(duì)的是另一件眾人皆知的事情:那就是法國(guó)偉大的數(shù)學(xué)家亨利·龐加萊發(fā)現(xiàn)被稱為富克斯函數(shù)的數(shù)學(xué)新方法的故事。 我們看到,在這位天才人物身上,意識(shí)活動(dòng)事實(shí)上一直注視著潛意識(shí)所起的作用。 一連幾個(gè)星期,他每天伏案工作,花上一、兩個(gè)小時(shí)嘗試著大量的組合,但毫無結(jié)果。 一天夜里,他一反常規(guī),喝了些清咖啡,于是無法入睡。 許多想法在他腦子里不斷涌現(xiàn);他幾乎能感覺到這些想法在相互碰撞著,直到其中的兩個(gè)結(jié)合在一起,形成了一個(gè)穩(wěn)定的組合。 到了早晨,他已經(jīng)證實(shí)了一類富克斯函數(shù)的存在。他只須去證明其結(jié)果,而這只需要幾個(gè)小時(shí)即可以解決。 在這件事中,我們看到意識(shí)一直注視著在無意識(shí)中形成的新組合,而瓦格納的例子則顯示了一個(gè)新想法在意識(shí)中的突然迸發(fā)。
笛卡爾23歲時(shí)所作過的、決定了他的人生道路的一些夢(mèng),可以作為第三種創(chuàng)造性經(jīng)歷的例證。 在這之前,笛卡兒一直在尋找確定性,先是在書本里,然后是在人群中,但均未成功。之后,在1619年11月10日的一個(gè)睡夢(mèng)中,他有了一個(gè)意義重大的發(fā)現(xiàn),即確定性只存在于自己的思想中,"我思,故我在"。 這場(chǎng)夢(mèng)使他對(duì)宗教充滿了強(qiáng)烈的熱情。
瓦格納、龐加萊和笛卡爾的經(jīng)歷代表了各個(gè)文化領(lǐng)域中無數(shù)其他的經(jīng)歷。 潛意識(shí)無疑是本能活動(dòng)的源泉。不過,在創(chuàng)造性思維過程中,正是潛意識(shí)使得相對(duì)無序的成分變成新的有序形式。