(from As You Like It, II, vii)
by William Shakespeare 朱生豪譯
All the world's a stage,
全世界是一個(gè)舞臺(tái),
And all the men and women merely players;
所有的男男女女不過是一些演員;
They have their exits and their entrances;
他們都有下場(chǎng)的時(shí)候,也都有上場(chǎng)的時(shí)候。
And one man in his time plays many parts,
一個(gè)人的一生中扮演著好幾個(gè)角色,
His acts being seven ages. At first the infant,
他的表演可以分為七個(gè)時(shí)期。最初是嬰孩,
Mewling and puking in the nurse's arms;
在保姆的懷中啼哭嘔吐。
Then the whining school-boy, with his satchel
然后是背著書包、滿臉紅光的學(xué)童,
And shining morning face, creeping like snail
像蝸牛一樣慢騰騰地拖著腳步,
Unwillingly to school. And then the lover,
不情愿地嗚咽著上學(xué)堂。然后是情人,
Sighing like furnace, with a woeful ballad
像爐灶一樣嘆著氣,寫了一首悲哀的詩歌詠著
Made to his mistress' eyebrow. Then a soldier,
他戀人的眉毛。然后是一個(gè)軍人,
Full of strange oaths, and bearded like the pard,
滿口發(fā)著古怪的誓,胡須長得像豹子一樣,
Jealous in honour, sudden and quick in quarrel,
愛惜著名譽(yù),動(dòng)不動(dòng)就要打架,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
在炮口上尋求著泡沫一樣的榮名。然后是法官,
In fair round belly with good capon lin'd,
胖胖圓圓的肚子塞滿了閹雞,
With eyes severe and beard of formal cut,
凜然的眼光,整潔的胡須,
Full of wise saws and modern instances;
滿嘴都是格言和老生常談;
And so he plays his part.
他這樣扮了他的一個(gè)角色。
The sixth age shifts
Into the lean and slipper'd pantaloon,
第六個(gè)時(shí)期變成了精瘦的趿著拖鞋的龍鐘老叟,
With spectacles on nose and pouch on side;
鼻子上架著眼鏡,腰邊懸著錢袋;
His youthful hose, well sav'd, a world too wide
他那年輕時(shí)候節(jié)省下來的長襪子,
For his shrunk shank; and his big manly voice,
套在他皺癟的小腿上顯得寬大異常;他那朗朗的男子的口音
Turning again toward childish treble, pipes
又變成了孩子似的尖聲,
And whistles in his sound. Last scene of all,
像是吹著風(fēng)笛和哨子。
That ends this strange eventful history,
終結(jié)著這段古怪的多事的歷史的最后一場(chǎng),
Is second childishness and mere oblivion;
是孩提時(shí)代的再現(xiàn),全然的遺忘,
Sans teeth, sans eyes, sans taste, sans everything.
沒有牙齒,沒有眼睛,沒有口味,沒有一切。
附上林語堂對(duì)這首詩的理解,希望對(duì)大家欣賞此詩有所幫助:
我想沒有人會(huì)說一個(gè)有童年,壯年,老年地人生不是一個(gè)美滿的人生。一天有上午,中午,日落之分,一年有四季之分??墒俏椰F(xiàn)在想想人生真沒有所謂好壞之分。有錢沒錢的到最后都一樣。我想只有“你人生之中的哪段經(jīng)歷或者是哪些東西在你人生中的哪一個(gè)季節(jié)是最好的”的問題。如果我們抱著這種生物學(xué)的人生觀,而循著季節(jié)去生活,那么,除了夜郎自大的呆子和無可救藥的理想主義者之外,沒有人會(huì)否認(rèn)人生可以像一首詩那樣地度過去。
莎士比亞曾經(jīng)在他的人生七階段那段文章里,把這個(gè)觀念更明了地表現(xiàn)出來,許多中國的作家也曾經(jīng)說過同樣地話。我尊敬莎士比亞先生,因?yàn)樗讶松?dāng)作人生看,正如他不打擾他的戲劇中的人物一樣,他也不打擾時(shí)間一切事物的一般配置和組織。他就活得和大自然本身一樣。他僅僅是活在世界上,觀察人生,最終根據(jù)生命活動(dòng)的最后規(guī)則離開了世界。