https://online2.tingclass.net/lesson/shi0529/0008/8758/05.mp3
https://image.tingclass.net/statics/js/2012
[00:11.73]Model Test 5
[00:14.26]Section A
[00:16.32]Directions:
[00:17.97]In this section,
[00:19.62]you will hear 8 short conversations
[00:22.18]and 2 long conversations.
[00:24.57]At the end of each conversation,
[00:27.10]one or more questions will be asked
[00:29.60]about what was said.
[00:31.35]Both the conversation and the questions
[00:34.01]will be spoken only once.
[00:36.39]After each question there will be a pause.
[00:40.07]During the pause,
[00:41.62]you must read the four choices marked
[00:44.30]A), B), C) and D),
[00:47.75]and decide which is the best answer.
[00:50.64]Then mark the corresponding letter
[00:53.53]on Answer Sheet 2
[00:55.53]with a single line through the center.
[00:58.65]Now let's begin with the 8 short conversations.
[01:03.93]11.M: Thank you for your helpful assistance.
[01:10.27]Otherwise, I'd surely have missed it.
[01:13.16]The place is so out of the way.
[01:16.09]W: It was a pleasure meeting you. Goodbye!
[01:18.76]Q: Why does the man thank the woman?
[01:37.39]12. M: Excuse me,
[01:40.60]I heard that there were a couple of
[01:42.33]jobs available in the library.
[01:44.82]So I'd like to apply for one of them.
[01:47.90]Can I fill out the application form at home
[01:51.29]and bring it back next week?
[01:53.50]W: Sure, but you should know that
[01:55.41]we're about to start looking at the applications,
[01:58.13]and we hope to make some job
[01:59.82]offers in a few days.
[02:01.77]Q: What does the woman imply?
[02:19.19]13. M: That's a great dress, Cindy.
[02:23.82]I don't think I've ever seen you wear it before.
[02:27.33]W: Oh, I have.
[02:28.88]It's just that it's sent back to my closet.
[02:31.64]My sister gave it to me like ages ago
[02:34.15]and I totally forgot about it.
[02:36.14]Q: What does the woman imply?
[02:53.56]14.W: Well, did you manage to get information
[02:59.77]from Professor Baker?
[03:01.50]When are our results coming in?
[03:03.56]M: Well she was a bit tight-lipped about it.
[03:06.30]Q: What can be inferred about Professor Baker?
[03:24.93]15. W: I hate the way the trains run in this city.
[03:31.84]I've been waiting here for almost half an hour.
[03:35.35]M: It's almost eight o'clock,
[03:37.16]so we should be on our way soon.
[03:39.49]Q: When does the woman begin waiting for the train?
[03:58.15]16. M: I sent the package over 10 days ago
[04:05.42]and it still hasn't arrived.
[04:07.97]W: Maybe you should send the next one by air.
[04:10.70]Q: What does the woman suggest?
[04:28.17]17. M: I wish I could be the person driving
[04:34.53]that new Cadillac instead of Barbara.
[04:37.07]W: Well,
[04:38.20]if you would budget your money more carefully,
[04:41.14]then this wouldn't be a problem.
[04:43.74]Q: How does the woman feel about the man?
[05:02.18]18. M: I was so disappointed to
[05:07.67]hear that Jim lost his job.
[05:09.94]I know that his daughter was sick last month,
[05:12.88]so he was always
[05:14.10]late to work.
[05:15.58]W: Oh, that wasn’t it.
[05:16.94]Jim made a big error in this week's accounting.
[05:20.12]The boss was furious.
[05:22.45]Q: Why was Jim fired?
[05:40.37]Now you will hear the two long conversations.
[05:45.36]Conversation One
[05:48.73]M: Let's look at your problem:
[05:50.93]you always fail the job interviews.
[05:53.74]W: It seems so, unfair. And the thing is
[05:57.57]that I always find those questions hard to answer.
[06:00.77]for example, they always ask
[06:02.49]me what I think is important in a job.
[06:05.54]M: In this case,
[06:06.82]you should mention specific rewards
[06:09.09]other than paycheck, for example,
[06:11.94]challenge and the feeling of
[06:14.23]accomplishment.
[06:15.54]W: That sounds good.
[06:16.79]And they often ask what makes me decide to
[06:19.60]join their company, especially when they are
[06:21.59]rather small and young.
[06:23.53]M: You can tell them that you believe
[06:25.44]you would have better opportunities
[06:27.45]with a small but rapidly expanding
[06:30.18]company like theirs.
[06:32.13]W: Great. I think the most difficult question is
[06:36.09]what my greatest strengths and weaknesses are.
[06:39.37]M: They are tough questions.
[06:41.91]For your greatest strengths,
[06:43.67]give a response like this:
[06:45.87]“I can see what needs to be done
[06:47.95]and do it.”or“I work well with others.”
[06:51.70]W: Terrific.
[06:53.65]M: For your weaknesses,
[06:54.93]you can identify one or two,
[06:57.86]such as “I tend to drive myself too hard”.
[07:01.37]The trick is to
[07:02.61]describe a weakness so that
[07:04.33]it could also be considered a virtue.
[07:07.72]W: I see. Sometimes they also ask me
[07:11.73]what I don't like about my previous jobs.
[07:14.49]M: You can talk about the things you don't like,
[07:17.60]but avoid making even
[07:19.35]slightest reference to any of your former
[07:21.82]employers
[07:24.07]W: I'll remember that.
[07:25.87]M: Never forget to have
[07:27.24]at least one question ready,
[07:29.35]because the interviewer usually
[07:31.35]asks if you have any questions
[07:33.30]about the job or the company
[07:35.41]at the end of the interviews.
[07:38.12]W: I understand employers like a candidate
[07:40.93]who is interested in the organization.
[07:43.50]M: Right.
[07:44.61]If you can smoothly apply answers
[07:46.83]like these during the interview,
[07:48.79]you are bound to make a good impression.
[07:51.71]Questions 19 to 21 are based on
[07:54.51]the conversation you have just heard.
[07:57.11]19. What is the woman suggested to mention
[08:02.65]when asked what is important
[08:04.37]to her in an interview?
[08:21.41]20. What is the woman's biggest problem
[08:26.41]in an interview?
[08:42.62]21. What does the man warn against doing
[08:47.19]when it comes to previous experience?
[09:04.91]Conversation Two
[09:07.56]M: Hi, Grace.
[09:09.13]Mind if I eat lunch with you?
[09:10.93]W: No. Mr. Evans, not at all.
[09:13.31]M: Thanks.
[09:14.75]I just heard that you're studying nutrition
[09:17.53]and you've got quite a bit of experiences
[09:20.02]working in the cafeteria,
[09:21.86]so I wonder if you will be interested
[09:24.62]in a small project we are doing this term.
[09:27.55]W: What's the project all about?
[09:29.96]M: More and more students have been deciding
[09:33.21]not to buy the meal here
[09:35.21]and we want to attract them back.
[09:37.78]So I want to hear what students would like.
[09:41.46]Your job would be to find out.
[09:43.79]W: Well, if the menus were changed,
[09:46.87]then maybe I wouldn't have to
[09:48.18]listen to so much criticism.
[09:50.60]M: That makes you perfect for the job.
[09:53.26]Would you be interested?
[09:54.94]W: I'm not sure.
[09:56.69]What sorts of changes are you thinking of?
[09:59.57]M: I'd like to make some changes in the way
[10:02.07]we prepare our food.
[10:03.77]For example,
[10:05.11]just look at what we have to choose
[10:07.29]from today. You got a fried hamburger
[10:10.42]and I got fried chicken.
[10:12.69]They both contain too much fat.
[10:15.13]W: But you'd better not get rid of them.
[10:17.66]They're everybody's favorite.
[10:19.73]M: Well, we can certainly keep them,
[10:22.27]but we need to give the people
[10:23.96]who are health-conscious some choices.
[10:26.64]For example, we could also prepare chicken
[10:29.44]without the fatty skin
[10:31.35]and serve it on some rice with a light sauce.
[10:34.45]Do you think that would appeal to students?
[10:37.13]W: Well, I'd like that.
[10:39.06]You're right.
[10:40.31]You'd better find out what others think.
[10:42.55]Sorry, I've got to get back to work.
[10:45.13]I'd like to hear more though.
[10:47.00]I'll drop by your office later.
[10:49.06]M: OK, see you then.
[10:51.09]Questions 22 to 25 are based on
[10:54.59]the conversation you have just heard.
[10:57.12]22. What are the two speakers talking about?
[11:19.46]23. What does the man want the woman to do?
[11:40.18]24 What does the man suggest the cafeteria do?
[12:01.23]25 What is the woman’s attitude
[12:06.40]of the man’s project?
[12:23.80]Section B
[12:25.53]Directions: In this section,
[12:28.48]you will hear 3 short passages.
[12:31.72]At the end of each passage,
[12:33.76]you will hear some questions.
[12:36.10]Both the passage
[12:37.68]and the questions will be spoken only once.
[12:41.81]After you hear a question,
[12:43.69]you must choose the best answer from
[12:46.68]the four choices
[12:47.86]marked A), B), C) and D).
[12:51.80]Then mark the corresponding letter
[12:54.68]on Answer Sheet 2
[12:56.82]with a single line through the center.
[13:00.09]Passage One
[13:02.15]In recent years,
[13:03.46]many Americans of both sexes and various ages
[13:07.17]have become increasingly interested
[13:09.26]in improving their bodies.
[13:11.25]They have become more devoted
[13:13.01]to physical fitness.
[13:15.14]Many persons have a strong desire
[13:17.65]to become more physically fit.
[13:19.74]By nature, Americans are enthusiastic,
[13:23.35]and energetic about hobbies or pastimes.
[13:27.14]And now many of them apply this enthusiasm,
[13:30.27]optimism, and energy to running.
[13:33.64]As a result,
[13:35.02]there are more running clubs to join
[13:36.90]and numerous books
[13:38.08]and magazines to read about running.
[13:40.51]The desire for American people
[13:42.21]to be physically fit could probably be explained
[13:45.12]by a “passion” for good health.
[13:47.47]The high rate of heart attacks
[13:49.17]in the 1960s has caused an increase of interest
[13:52.74]in improving the health condition of human body.
[13:55.76]Middle-aged men especially
[13:57.74]suffer from heart attacks.
[13:59.61]Thus, they are one group strongly interested
[14:02.31]in taking more physical exercise.
[14:04.79]In fact, many doctors often
[14:07.30]encourage their patients to
[14:08.84]become more physically active,
[14:10.69]especially those who have inactive jobs.
[14:13.89]It is quite interesting to note that
[14:16.19]the rate of heart attacks began to decrease
[14:18.71]between 1972 and 1974
[14:22.29]and it is still decreasing now.
[14:24.51]It seems that physical fitness has now
[14:27.62]become a new “love” of Americans.
[14:30.46]But will it last very long? Nobody knows.
[14:34.67]Only time will tell—
[14:36.11]or until another “new passion”
[14:38.18]comes along and takes its place.
[14:40.66]Questions 26 to 29 are based on
[14:44.50]the passage you have just heard.
[14:47.34]26. Why are Americans
[14:50.73]so interested in physical exercise?
[15:09.01]27. What happens when American people
[15:13.20]apply great enthusiasm in running?
[15:31.00]28. Which of the following is NOT true
[15:36.56]according to the passage?
[15:53.19]29. What kinds of patients are
[15:57.86]especially encouraged to
[15:59.44]take part in physical exercise?
[16:16.65]Passage Two
[16:19.66]American visitors to Eastern Asia
[16:22.53]are often surprised and puzzled
[16:24.94]by how Asian cultures and customs differ from
[16:27.63]those in the United States.
[16:30.26]What's considered typical
[16:32.19]or proper social conduct in one country
[16:35.53]may be regard as odd,
[16:37.87]improper or even rude in the other.
[16:42.02]For example,
[16:43.77]people from some Eastern Asian countries
[16:46.61]may begin a conversation with a stranger
[16:49.29]by asking personal questions about family,
[16:52.49]home or work.
[16:54.74]Such questions are thought to be friendly,
[16:57.64]whereas they might be considered offensive
[17:00.49]in the United States.
[17:02.46]On the other hand,
[17:04.23]people in most Asian cultures
[17:06.07]are far more guarded about
[17:07.98]expressing their feelings publicly
[17:10.32]than most Americans are.
[17:12.12]Openly displaying annoyance or anger,
[17:15.97]yelling, arguing loudly
[17:18.06]and so forth is considered ill-mannered
[17:21.02]in countries such as Japan.
[17:23.48]Many Eastern Asians prefer
[17:25.91]to hold their emotions in check
[17:28.13]and instead express themselves
[17:30.46]with great politeness.
[17:32.58]They try not to be blunt
[17:34.45]and avoid making direct criticisms.
[17:37.57]In fact,
[17:38.74]they often keep their differences of opinion
[17:41.42]to themselves and merely smile
[17:43.94]and remain silent rather
[17:45.69]than engage in a confrontation.
[17:48.49]By comparison,
[17:49.70]Americans are often frank about
[17:51.73]displaying both positive
[17:53.71]and negative emotions on the street
[17:56.88]and in other public places.
[17:59.55]Americans visiting Asia should keep in mind
[18:02.88]that such behavior may cause offense.
[18:05.72]A major difference between Americans culture
[18:08.91]and most Eastern Asian cultures
[18:11.57]is that in Eastern Asia,
[18:13.36]the community is more important
[18:15.51]than the individual.
[18:17.88]Most Americans are considered
[18:19.72]a success when
[18:20.60]they make a name for themselves.
[18:23.25]Questions 30 to 32 are based on
[18:26.62]the passage you have just heard.
[18:28.96]30. How would some Asians
[18:33.56]start their conversation
[18:35.02]when they meet for the first time?
[18:51.97]31. What would a Japanese do
[18:56.73]when he feels annoyed?
[19:14.07]32. What is encouraged
[19:17.13]in American culture according to the passage?
[19:35.02]Passage Three
[19:37.41]Good morning students,
[19:39.12]I hope you have been able
[19:40.57]to read the two books about speech
[19:42.59]and hearing problems that
[19:43.79]I put in the library.
[19:45.63]Today’s lecture deals with
[19:47.35]the presence of the unusually
[19:49.33]large deaf population that existed
[19:51.68]on the Massachusetts island of
[19:53.64]Martha’s Vineyard for
[19:55.09]about three centuries.
[19:56.99]From the settlement of the island
[19:58.88]in the 1640s to the twentieth century,
[20:01.79]the people there,
[20:02.97]who were descended from only twenty-five
[20:05.20]or thirty original families,
[20:07.06]married mainly other residents of the island.
[20:10.76]They formed a highly inbred group,
[20:13.56]producing an excellent example of
[20:15.39]the genetic patterns
[20:16.57]for the inheritance of deafness.
[20:18.96]In the late eighteen hundreds
[20:21.07]one out of every twenty-five people
[20:23.39]in one village on the island was born deaf,
[20:25.91]and the island as a whole
[20:27.48]had a deafness rate at least seventeen times
[20:30.57]greater than that of the rest of the United States.
[20:33.74]Even Alexander Graham Bell,
[20:35.83]the inventor of the telephone
[20:37.49]and a prominent investigative researcher
[20:40.10]into hearing loss,
[20:41.52]visited Martha’s Vineyard to
[20:43.01]study the population.
[20:44.84]But because the principles of genetics
[20:46.86]and inheritance were still unknown,
[20:48.82]he was not able to explain the patterns of
[20:51.02]deafness and why deaf parents did not
[20:53.75]always have deaf children.
[20:55.72]In the twentieth century,
[20:57.02]the local population has mixed with people
[20:59.54]off the island and the rate of deafness has fallen.
[21:03.41]Questions 33 to 35 are based on
[21:07.03]the passage you have just heard.
[21:09.62]33. Where does this talk take place?
[21:29.68]34. Why were so many people there deaf?
[21:49.25]35. What did Alexander Graham Bell
[21:53.47]hope to do when he went to the island?
[22:10.92]Section C
[22:12.62]Directions:
[22:14.01]In this section,
[22:15.72]you will hear a passage three times.
[22:18.41]When the passage is read for the first time,
[22:21.21]you should listen carefully for its general idea.
[22:24.58]When the passage is read for the second time,
[22:27.44]you are required to fill in the blanks
[22:29.96]numbered from 36 to 43
[22:32.56]with the exact words you have just heard.
[22:35.43]For blanks numbered from 44 to 46
[22:39.36]you are required to fill
[22:41.08]in the missing information.
[22:43.08]For these blanks,
[22:44.57]you can either use the exact words
[22:46.74]you have just heard
[22:47.89]or write down the main points
[22:49.89]in your own words.
[22:51.68]Finally, when the passage
[22:53.75]is read for the third time,
[22:55.47]you should check what you have written.
[22:58.16]Now listen to the passage.
[23:01.41]Sydney Opera House must be
[23:03.38]one of the most recognizable images of
[23:06.00]the modern world—up there
[23:07.96]with the Eiffel Tower
[23:09.13]and the Empire State Building—
[23:11.43]and one of the most photographed.
[23:14.00]Not only is it recognizable,
[23:16.49]it has come to represent “Australia”.
[23:19.40]Although only having been open since 1973,
[23:24.35]it is as representative of Australia
[23:27.54]as the pyramids are of Egypt
[23:29.72]and the Colosseum of Rome.
[23:32.32]The Opera House is situated
[23:34.68]on Bennelong Point,
[23:36.27]which reaches out into the harbour.
[23:37.77]The skyline of the Sydney Harbour Bridge,
[23:41.45]the blue water of the harbour
[23:43.81]and the Sydney Opera House,
[23:45.74]viewed from a ferry or from the air,
[23:47.91]is dramatic and unforgettable.
[23:51.06]Ironic, perhaps, that this Australian icon
[23:54.55]was designed by renowned Danish architect—
[23:57.77]Jorn Utzon. In the late 1950s
[24:02.09]the NSW Government established an appeal fund
[24:06.08]to finance the construction of
[24:08.26]the Sydney Opera House,
[24:10.26]and conducted a competition for its design.
[24:13.89]Utzon's design was chosen.
[24:16.55]The irony was that his design was,
[24:20.21]arguably, beyond the capabilities of engineering
[24:23.90]of the time. Utzon spent a couple of years
[24:27.29]reworking the design. It was 1961
[24:31.37]before he had solved the problem of how to
[24:34.57]build the distinguishing feature—
[24:36.15]the “sails” of the roof.
[24:38.63]The venture experienced cost blow-outs
[24:42.16]and there were occasions
[24:43.86]when the NSW Government
[24:46.41]was tempted to call a halt.
[24:49.16]There were arguments about cost
[24:51.96]and the interior design, and the Government
[24:55.14]was withholding progress payments.
[24:58.02]In 1966 the situation reached crisis point
[25:03.20]and Jorn Utzon resigned from the project.
[25:06.82]The building was eventually completed
[25:09.40]by other's in 1973.
[25:13.20]Now the passage will be read again.
[25:17.35]Sydney Opera House must be
[25:20.36]one of the most recognizable images of
[25:23.10]the modern world—up there
[25:25.06]with the Eiffel Tower
[25:26.25]and the Empire State Building—
[25:28.36]and one of the most photographed.
[25:30.99]Not only is it recognizable,
[25:33.44]it has come to represent “Australia”.
[25:36.28]Although only having been open since 1973,
[25:41.25]it is as representative of Australia
[25:44.52]as the pyramids are of Egypt
[25:46.67]and the Colosseum of Rome.
[25:49.24]The Opera House is situated
[25:51.64]on Bennelong Point,
[25:53.16]which reaches out into the harbour.
[25:56.03]The skyline of the Sydney Harbour Bridge,
[25:58.49]the blue water of the harbour
[26:00.88]and the Sydney Opera House,
[26:02.68]viewed from a ferry or from the air,
[26:04.98]is dramatic and unforgettable.
[26:08.08]Ironic, perhaps, that this Australian icon
[26:11.50]was designed by renowned Danish architect-
[26:14.79]Jorn Utzon. In the late 1950s
[26:19.01]the NSW Government established an appeal fund
[26:23.23]to finance the construction of
[26:25.18]the Sydney Opera House,
[26:27.14]and conducted a competition for its design.
[26:31.04]Utzon's design was chosen.
[26:33.73]The irony was that his design was,
[26:37.22]arguably, beyond the capabilities of engineering
[26:40.79]of the time.
[26:42.64]
[27:43.01]Utzon spent a couple of years
[27:44.73]reworking the design. It was 1961
[27:48.83]before he had solved the problem of how to
[27:51.18]build the distinguishing feature—
[27:53.47]the “sails” of the roof.
[27:56.63]
[28:57.07]The venture experienced cost blow-outs
[29:00.13]and there were occasions
[29:01.83]when the NSW Government
[29:04.22]was tempted to call a halt.
[29:07.05]There were arguments about cost
[29:09.94]and the interior design, and the Government
[29:13.06]was withholding progress payments.
[29:16.24]
[30:16.44]In 1966 the situation reached crisis point
[30:21.63]and Jorn Utzon resigned from the project.
[30:25.30]The building was eventually completed
[30:27.81]by other's in 1973.
[30:31.49]Now the passage will be read for the third time.
[30:36.36]Sydney Opera House must be
[30:38.80]one of the most recognizable images of
[30:41.46]the modern world—up there
[30:43.40]with the Eiffel Tower
[30:44.50]and the Empire State Building—
[30:45.46]and one of the most photographed.
[30:49.48]Not only is it recognizable,
[30:52.08]it has come to represent“Australia”.
[30:54.70]Although only having been open since 1973,
[30:59.82]it is as representative of Australia
[31:03.10]as the pyramids are of Egypt
[31:05.16]and the Colosseum of Rome.
[31:07.78]The Opera House is situated
[31:09.66]on Bennelong Point,
[31:11.75]which reaches out into the harbour.
[31:14.44]The skyline of the Sydney Harbour Bridge,
[31:17.06]the blue water of the harbour
[31:19.20]and the Sydney Opera House,
[31:21.07]viewed from a ferry or from the air,
[31:23.39]is dramatic and unforgettable.
[31:26.75]Ironic, perhaps, that this Australian icon
[31:29.98]was designed by renowned Danish architect-
[31:33.21]Jorn Utzon. In the late 1950s
[31:37.46]the NSW Government established an appeal fund
[31:41.76]to finance the construction of
[31:43.79]the Sydney Opera House,
[31:45.69]and conducted a competition for its design.
[31:49.36]Utzon's design was chosen.
[31:52.15]The irony was that his design was,
[31:55.69]arguably, beyond the capabilities of engineering
[31:59.38]of the time. Utzon spent a couple of years
[32:02.88]reworking the design. It was 1961
[32:07.02]before he had solved the problem of how to
[32:09.25]build the distinguishing feature—
[32:11.72]the “sails” of the roof.
[32:14.40]The venture experienced cost blow-outs
[32:17.73]and there were occasions
[32:19.41]when the NSW Government
[32:21.81]was tempted to call a halt.
[32:24.53]There were arguments about cost
[32:27.47]and the interior design, and the Government
[32:30.64]was withholding progress payments.
[32:33.57]In 1966 the situation reached crisis point
[32:38.40]and Jorn Utzon resigned from the project.
[32:42.60]The building was eventually completed
[32:44.90]by other's in 1973.
[32:49.70]This is the end of listening comprehension.