我拍攝了一座建于1901年的廢棄豪華城堡

我拍攝了一座建于1901年的廢棄豪華城堡

The history of the castle Laurens is incredible in so many ways that we could assume it is straight from the imagination of someone like Alexandre Dumas.

勞倫斯城堡的歷史在很多方面都是令人難以置信的，我們可以認(rèn)為這是出自大仲馬等人的想象。

The owner of this castle, Emmanuel Laurens, was born in 1873. A son of a very wealthy family, he was very interested in traveling. While he was wandering all over the world, he inherited a huge fortune from a remote cousin and his father who died the same year. After that, he was left with a lot of fortune at the age of only twenty-four years old. He also inherited a site in the French city of Agdes.

這座城堡的主人伊曼紐爾·勞倫斯出生于1873年。作為一個(gè)富裕家庭的兒子，他對(duì)旅行很感興趣。在他周游世界的過程中，他從一個(gè)遠(yuǎn)房表親和同年去世的父親那里繼承了一大筆財(cái)產(chǎn)。在那之后，他在24歲的時(shí)候就留下了一大筆財(cái)富。他還繼承了法國(guó)阿格迪斯城的一處遺址。

Despite his complete ignorance of the job as an architect, he decided to draw himself the plans of the future villa he wanted to build on his inherited site, taking a lot of inspiration from the newly found trend of “art nouveau” that was featured in Vogue at the time.

盡管他對(duì)建筑師的工作一無所知，但他還是決定在繼承的地盤上為自己繪制未來的別墅規(guī)劃，并從當(dāng)時(shí)的《時(shí)尚》雜志上新發(fā)現(xiàn)的“新藝術(shù)”潮流中獲得了很多靈感。

He wished for his castle to become a masterpiece, a piece of art on its own where the architecture, scenery, furniture and the art of living were all put together into one grand picture.

他希望他的城堡能成為一件杰作，一件獨(dú)立的藝術(shù)品，把建筑、風(fēng)景、家具和生活藝術(shù)都融合在一起，形成一幅宏偉的圖畫。

Each room is linked to one of his journeys abroad (Japanese hall, Italian patio, Moorish entrance, etc). Artists dedicated to the “Art Nouveau” trend, like the painter Eugène Dufour, the decorator Léon Cauvy, and the designer Eugène Simas, were in charge of decorating and adorning this villa.

每個(gè)房間都與他在國(guó)外旅行的一個(gè)房間相連(日本大廳，意大利露臺(tái)，摩爾式的入口，等等)。致力于“新藝術(shù)”潮流的藝術(shù)家們，比如畫家尤金杜福、裝潢師利昂科維和設(shè)計(jì)師尤金西馬斯，負(fù)責(zé)這棟別墅的裝潢和裝飾。

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