高智商燒腦科幻片《超腦48小時(shí)》

High-concept science-fiction movies tend to go intwo different directions. They can be either as campyas John Woo’s Face/Off (1997) or as thought-provoking as Christopher Nolan’s Inception (2010).

高智商科幻電影通常有兩種截然不同的路數(shù)。它們要么像吳宇森導(dǎo)演的《變臉》(1997年)一樣華麗浮夸，要么像克里斯托弗•諾蘭的《盜夢(mèng)空間》(2010)那樣引人深思。

The new movie Criminal, however, doesn’t seem toknow which path to take. At once serious and silly,the film hinges on one of the most beloved tropes ofthe genre: Our hero wakes up to find his head filled with memories that aren’t his own, and hehas to fight to make sense of them before time runs out.

不過新片《超腦48小時(shí)》似乎兩條路都不沾邊。電影乍一看略顯拘謹(jǐn)和笨拙，它以大眾最喜聞樂見的電影模式展開：我們的英雄醒來發(fā)現(xiàn)自己的腦袋里裝滿了不屬于自己的記憶，他必須爭(zhēng)分奪秒在規(guī)定時(shí)間內(nèi)搞清真相。

The story begins when CIA agent Bill Pope (Ryan Reynolds) is killed during a top-secret mission.Unable to resuscitate him, CIA scientists transfer his memories into Jerico (Kevin Costner), aruthless criminal.

故事開始，中央情報(bào)局特工比爾•波普(瑞恩•雷諾茲飾)在一次絕密行動(dòng)中意外身亡。中情局科學(xué)家未能將他救活，于是將他的記憶植入了一位極度暴戾的罪犯杰里科(凱文•科斯特納飾)身上。

Israeli director Ariel Vromen uses this well-worn plot to explore how malleable humanidentity might be. “Science is kind of bringing us along already and suggesting deleting badmemories,” Vromen told the US entertainment site Den of Geek. He explores some of theethical implications of altering memories through Jerico and his adventures.

以色列導(dǎo)演艾瑞歐•弗朗曼利用這種老舊的情節(jié)來探索人類認(rèn)同到底有多強(qiáng)的可塑性。弗朗曼告訴美國(guó)娛樂網(wǎng)站Den of Geek ：“科學(xué)已經(jīng)發(fā)展到一定程度，它甚至可以抹去我們?cè)愀獾幕貞?rdquo;。他還在片中探索了交換杰里科的記憶和人生帶來的一些倫理影響。

Jerico is a prisoner who suffers from “frontal lobe syndrome” due to a childhood brain injury.In other words, he neither has emotions nor empathy. But shortly after Pope’s memories areimplanted into his brain, Jerico starts to adopt Pope’s characteristics.

因?yàn)橥陼r(shí)遭遇過腦損傷，罪犯杰里科患有“額葉綜合征”。換言之，他是一個(gè)沒有情感和同理心的人。但當(dāng)被植入波普的記憶后不久，杰里科開始接受波普的人格。

Jerico glimpses flashes of the past that hold clues to what happened during Pope’s classifiedmission. But the most overwhelming sensation Jericho experiences is a sudden rush of loveand responsibility.

杰里科瞥見了過去的剪影，發(fā)現(xiàn)了波普?qǐng)?zhí)行絕密任務(wù)時(shí)的線索。但杰里科體驗(yàn)到的最難以抗拒的情感還是如潮水涌來愛意和責(zé)任感。

It’s here that the outlandish sci-fi plot gives way to domestic melodrama. Jericho’s newmemories lead him to the doorstep of Pope’s grieving widow (Gal Gadot). It’s little surprise thatJerico finds renewed purpose in the warmth of hearth and home, but, as Chicago Tribune filmcritic Katie Walsh points out, Vromen uses these scenes to raise questions about the role ofredemption in today’s criminal justice system.

也正是在這一刻，離奇的科幻情節(jié)讓路于俗套劇情。杰里科的新記憶把他帶到了波普悲痛欲絕的遺孀(蓋爾•加朵飾)的門前。我們絲毫也不意外，杰里科在溫馨舒適的家庭生活中找到了新的目標(biāo)，不過正如《芝加哥論壇報(bào)》電影評(píng)論家凱蒂•沃爾什指出的，弗朗曼通過這些場(chǎng)景引起大眾思考救贖在當(dāng)今刑事司法體系中的角色。

“The idea that someone else’s memories might make an unrepentant killer feel something realfor the first time ends up being a rather poignant concept,” Walsh wrote. “Jerico, written offand imprisoned by society, not only gets a purpose in his life, but he gets to understand theway that other, normal people understand the world.”

沃爾什寫道：“別人的記憶可能會(huì)讓一個(gè)毫無悔意的殺人犯第一次體驗(yàn)到真實(shí)的世界，這最終會(huì)是一個(gè)切中要害的概念。遭到社會(huì)清算和逮捕的杰里科不僅找到了自己的人生目標(biāo)，更是理解了其他正常人眼中的世界。”

With its mad-scientist plot, the film may ultimately be too cornball for some moviegoers – andthat’s okay. Its unapologetically sincere tone makes Criminal a refreshing departure from thesnark and sarcasm that have come to dominate the summer movie season. With weightyperformances and a strong plot, Criminal has set the bar high for this season’s blockbusters.

對(duì)一些?？措娪暗挠^眾來說瘋狂科學(xué)家的劇情可能就是陳詞濫調(diào)，不過這無所謂。《超腦48小時(shí)》不容置辯的真誠(chéng)口吻讓人耳目一新，也讓這部電影和霸占暑期檔的那些冷言嘲諷分道揚(yáng)鑣?！冻X48小時(shí)》的重量級(jí)表演和強(qiáng)大情節(jié)提高了評(píng)價(jià)本季度其他大片的標(biāo)準(zhǔn)。