歷屆世博會(huì)簡(jiǎn)況：美國(guó)1893年芝加哥世博會(huì)英語(yǔ)介紹

　The World’s Columbian Exposition — also known as The Chicago World’s Fair — was a World’s Fair held in Chicago in 1893 to celebrate the 400th anniversary of Christopher Columbus’s arrival in the New World. Chicago bested New York City, Washington, D.C. and St. Louis, Missouri, for the honor of hosting the fair. The fair had a profound effect on architecture, the arts, Chicago’s self-image, and American industrial optimism. The Chicago Columbian Exposition was, in large part, designed by Daniel Burnham and Frederick Law Olmsted. It was the prototype of what Burnham and his colleagues thought a city should be. It was designed to follow Beaux Arts principles of design, namely, European Classical Architecture principles based on symmetry and balance.

　　The exposition covered more than 600 acres (2.4 km2), featuring nearly 200 new buildings of classical architecture, canals and lagoons, and people and cultures from around the world. Over 27 million people (equivalent to about half the U.S. population) attended the exposition during its six-month run. Its scale and grandeur far exceeded the other world fairs, and it became a symbol of the emerging American Exceptionalism, much in the same way that the Great Exhibition became a symbol of the Victorian era United Kingdom.

　　Dedication ceremonies for the fair were held on October 21, 1892, but the fairgrounds were not actually opened to the public until May 1, 1893. The fair continued until October 30, 1893. In addition to recognizing the 400th anniversary of the discovery of the New World, the fair also served to show the world that Chicago had risen from the ashes of the Great Chicago Fire, which had destroyed much of the city in 1871. On October 9, 1893, the day designated as Chicago Day, the fair set a record for outdoor event attendance, drawing 716,881 persons to the fair.

　　Description

　　Forty-six nations participated in the fair, including Haiti, which selected Frederick Douglass to be its delegate. The Exposition drew nearly 26 million visitors. It left a remembered vision that inspired the Emerald City of L. Frank Baum’s Land of Oz and Walt Disney’s theme parks. Disney’s father Elias had been a construction worker on some of the buildings at the fair.

　　The exposition was located in Jackson Park and on the Midway Plaisance on 630 acres (2.5 km²) in the neighborhoods of South Shore, Jackson Park Highlands, Hyde Park and Woodlawn. Charles H. Wacker was the Director of the Fair. The layout of the fairgrounds was created by Frederick Law Olmsted, and the Beaux-Arts architecture of the buildings was under the direction of Daniel Burnham, Director of Works for the fair. Renowned local architect Henry Ives Cobb designed several buildings for the exposition. The Director of the American Academy in Rome, Francis David Millet, directed the painted mural decorations. Indeed, it was a coming-of-age for the arts and architecture of the "American Renaissance", and it showcased the burgeoning neoclassical and Beaux-Arts styles.

　　White City

　　Most of the buildings were based on classical architecture. The area at the Court of Honor was known as The White City. The buildings were made of a white stucco, which, in comparison to the tenements of Chicago, seemed illuminated. It was also called the White City because of the extensive use of street lights, which made the boulevards and buildings usable at night. It included such buildings as:

　　* The Administration Building, designed by Richard Morris Hunt

　　* The Agricultural Building, designed by Charles McKim

　　* The Manufactures and Liberal Arts Building, designed by George B. Post

　　* The Mines and Mining Building, designed by Solon Spencer Beman

　　* The Electricity Building, designed by Henry Van Brunt and Frank Maynard Howe

　　* The Machinery Building, designed by Robert Swain Peabody of Peabody and Stearns

　　* The Women’s Building, designed by Sophia Hayden

　　White City

　　Louis Sullivan’s polychrome proto-Modern Transportation Building was an outstanding exception to the prevailing style, as he tried to develop an organic American form. He believed that the classical style of the White City had set back modern American architecture by forty years.

　　As detailed in Erik Larson’s popular history The Devil in the White City, extraordinary effort was required to accomplish the exposition, and much of it was unfinished on opening day. The famous Ferris wheel, which proved to be a major attendance draw and helped save the fair from bankruptcy, was not finished until June, because of waffling by the board of directors the previous year on whether to build it. Frequent debates and disagreements among the developers of the fair added many delays. The spurning of Buffalo Bill’s Wild West Show proved a serious financial mistake. Buffalo Bill set up his highly popular show next door to the fair and brought in a great deal of revenue that he did not have to share with the developers. Nonetheless, construction and operation of the fair proved to be a windfall for Chicago workers during the serious economic recession that was sweeping the country.

　　Early in July, a Wellesley College English teacher named Katharine Lee Bates visited the fair. The White City later inspired the reference to "alabaster cities" in her poem "America the Beautiful".

　　The fair ended with the city in shock, as popular mayor Carter Harrison, Sr. was assassinated two days before the fair’s closing. Closing ceremonies were canceled in favor of a public memorial service. Jackson Park was returned to its status as a public park, in much better shape than its original swampy form. The lagoon was reshaped to give it a more natural appearance, except for the straight-line northern end where it still laps up against the steps on the south side of the Palace of Fine Arts/Museum of Science & Industry building. The Midway Plaisance, a park-like boulevard which extends west from Jackson Park, once formed the southern boundary of the University of Chicago, which was being built as the fair was closing. (The university has since developed south of the Midway.) The university’s football team, the Maroons, were the original "Monsters of the Midway". The exposition is mentioned in the university’s alma mater: "The City White hath fled the earth,/But where the azure waters lie,/A nobler city hath its birth,/The City Gray that ne’er shall die."

　　Of the more than 200 buildings erected for the fair, the only two which still stand in place are the Palace of Fine Arts and the World’s Congress Auxiliary Building. From the time the fair closed until 1920, the Palace of Fine Arts housed the Field Columbian Museum (now the relocated Field Museum of Natural History). In 1933 the building re-opened as the Museum of Science and Industry.[4] The cost of construction of the World’s Congress Auxiliary Building was shared with the Art Institute of Chicago, which moved into the building (the museum’s current home) after the close of the fair.