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百年50部英文燒腦電影賞析:[47]The Next Three Days 危情三日

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2018年07月10日

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導演:保羅·哈吉斯
編?。焊ダ椎?middot;卡瓦耶
保羅·哈吉斯
主演:羅素·克勞
伊麗莎白·班克斯
連姆·尼森
首映日期:2010-11-19(美國)
2011-04-29(中國大陸)
百年50部英文燒腦電影賞析:[47]The Next Three Days 危情三日
Crowe gives his best, most sympathetic performance in years in the corking thriller The Next Three Days.
《危情三日》是一部很棒的驚悚片,電影中克勞的表演是幾年來最好的、最能引起人們共鳴的。
——Henry Fitzherbert, Daily Express
One of the best movies of the year.
年度最佳電影之一。
——Joshua Tyler, CinemaBlend.com
I enjoyed this movie and I think it's a little underrated. The story is simple and it's very entertaining to watch everything play out.
我很喜歡這部電影,我認為它有點兒被低估了。這個故事很簡單,觀看整個過程很有趣。
——Cody G

Lara Brennan(Elizabeth Banks)is convicted of murdering her boss after an altercation at work and after a trial is sentenced to life in prison. Following the failure of her appeal, Lara's husband John Brennan(Russell Crowe),a professor at a community college, becomes obsessed with the idea of breaking her out of jail, while their son Luke(Ty Simpkins)ceases to acknowledge her during their prison visits.
百年50部英文燒腦電影賞析:[47]The Next Three Days 危情三日
John consults Damon Pennington(Liam Neeson), a former convict who successfully escaped from prison seven times. Damon advises John to study the prison where his wife is, saying “every prison has a key”. Damon also warns him that the initial escape from the prison will be easy compared with avoiding capture after the escape. To that end, John must obtain false passports, new social security numbers, and a “truckload of cash” to have a chance of success. Damon also suggests going to an unpopular foreign country for Americans so that authorities will be unlikely to look for them there. John learns Pittsburgh's time to lock-down the city's exits after a call is made to do so: 15 minutes for the city center and 35 minutes for all interstates, secondary roads, and stations or airports. Damon Pennington tells John to ask himself if he can really “be that guy” who knocks over an old lady or shoots a guard if it's the difference between escape or getting caught.
John contemplates several ideas that do not pan out and is defeated more than once, but he latches onto a solid plan and the necessary paperwork after some painful efforts. He robs a drug lord and sets his meth lab on fire before fleeing the scene. He then falsifies and plants blood work results indicating that his wife is in a state of hyperkalaemia, so she is transferred to the hospital. He follows the ambulance and helps her escape although she is doubtful and reluctant, motivated only by the idea of her son being raised without either parent.
With the police getting some lucky breaks, they are hot on John and Lara's trail through a series of chases. Throughout the film, John is shown assembling maps, photographs, notes, and other papers on a wall of his house, He tears them down and stuffs them into several garbage bags before leaving to rescue Lara, leaving one bag in the trash outside his home, and the rest in a dumpster some blocks away. As it turns out, he did this selectively to misguide the detectives regarding their final destination. They have an uncomfortable moment at passport control, as a Canadian officer examines their passports and glances at the page of photographs showing people to stop. He allows them to pass. The shift changes, and as they walk down the hall, their photos are added to the list. An international flight is delayed, but the police were after the wrong destination.
At the end of the film, the family ends up safe in Caracas, Venezuela. Back in the United States, a detective who had attempted to catch Brennan returns to the scene of the crime although it had been some years since the crime occurred. Using his forensic skills, he manages to put together what really happened. It turns out that the killer of Lara's boss was really just a mugger—as she claimed in open court—and a series of coincidences led to Lara's conviction. He remembers Lara saying a button popped off as she passed the mugger, and notices that it is raining just as it had been the night of the murder He tosses a piece of paper in the current where the button would have fallen off, and it leads into a gutter. He searches the gutter but is unable to find the button to prove Lara's innocence. It turns out the button was there, buried under grime, and the detective just missed it. The last shot of this detective shows him turning back to think, implying that there is a possibility of him taking a second look and locating the button, which would've led to the exoneration of Lara. However, that is left open to audience speculation.
勞拉·布倫南(伊麗莎白·班克斯飾)被指控由于工作中的摩擦而謀殺了她的老板,庭審后被判無期徒刑。上訴被駁回后,勞拉身為社區(qū)大學教授的丈夫約翰·布倫南(羅素·克勞飾)卻幻想著幫助她越獄,而他們的兒子盧克(泰·辛普金斯飾)卻在監(jiān)獄探視時不再認她這個媽媽了。
約翰向達蒙·彭寧頓(連姆·尼森飾)這位曾經(jīng)蒙冤,并七次成功越獄的過來人求教。達蒙建議約翰仔細觀察她妻子所在的監(jiān)獄,并說每個監(jiān)獄都有“一把鑰匙”。達蒙還告誡他逃出監(jiān)獄不算難,但難的是逃出后不被抓住。最后,最重要的是,約翰還必須弄到假護照、新的社會保險賬號和大量的現(xiàn)金才能提高成功率。達蒙還建議最好選一個美國人不關(guān)注的國家,這樣當局就不會去那種地方找他們。約翰了解到匹茲堡在收到通知到關(guān)閉各城市間通道的時間間隔:城中心是15分鐘,各州間、二級公路和車站機場是35分鐘。達蒙·彭寧頓讓約翰在行動前,先問問自己是否愿意成為一個“打倒老婦人或射殺保安”的暴徒,逃跑和被追捕之間是否不同。

約翰苦思冥想,想出了幾個辦法,卻都沒有敲定,他一次次地推翻重來,但幾經(jīng)努力,他最終鎖定了一個周詳?shù)挠媱澆蕚淞吮匾奈募K麚尳倭艘粋€毒梟并在離開現(xiàn)場前,放火燒了那兒的毒品實驗室。然后,他偽造了一份血液檢測報告證明她妻子有高血糖癥,這樣她將會被移送到醫(yī)院,他就可以尾隨救護車,并伺機幫她逃跑。雖然她妻子疑慮重重、極不情愿,但為了不讓他們的孩子在沒有父母照料的環(huán)境下長大,她還是同意了他的計劃。
由于幸運,警察經(jīng)過一系列的追蹤,他們發(fā)現(xiàn)了約翰和勞拉的行蹤線索。在影片中,約翰在自己房間的墻上,不斷地拼合著各種地圖、照片、便條和各種紙張。在他出發(fā)去救勞拉前,把墻上所有東西扯下來,裝滿了幾個垃圾袋,一包丟到他家門前的垃圾桶里,其他的扔到了幾個街區(qū)外的垃圾桶里。最終證明,他這樣做是為了讓偵探搞不清他們最終要去的目的地。他們在入境護照檢查時發(fā)生了驚險的一幕:當一位加拿大官員查看他們的護照時,只看了幾眼照片就示意其他人停止辦理。然而他讓他們過去了,原來是他要換班了。他們走進大廳,他們的照片被加入到候機名單中。國際航班晚點了,而此時警察正在趕往錯誤的目的地。
百年50部英文燒腦電影賞析:[47]The Next Three Days 危情三日
影片結(jié)束時,這個家庭在委內(nèi)瑞拉的加拉加斯安全團聚。鏡頭回到美國,一位想抓住布倫南的偵探返回到兇案現(xiàn)場,雖然兇案已經(jīng)過去了很多年。運用法理推理技巧,他正設(shè)法找出真相。推理結(jié)果證明殺死勞拉老板的真兇確實是一名搶竊犯——正如她在庭審中申明的那樣——是一系列的巧合導致了勞拉的冤情。他還記得勞拉說過她經(jīng)過搶竊犯身邊時掉了一個紐扣。他注意到,跟謀殺發(fā)生當晚一樣,現(xiàn)在天上正在下雨,在勞拉紐扣可能跌落的地方,他撕下一張紙扔到地上的雨水中,那張紙隨水流人了排水溝,他搜遍了排水溝,卻沒有找到那顆可以證明勞拉無辜的紐扣。事實上,紐扣被埋到了淤泥下面,偵探?jīng)]有發(fā)現(xiàn)。最后一個鏡頭是:這位偵探在回憶,暗示他可能會去再找一遍,并最終發(fā)現(xiàn)那顆紐扣,從而為勞拉昭雪。影片就此給觀眾留下了一個懸念。

altercation[??:lt?'kei∫?n]n. 爭執(zhí)
contemplate['k?nt?m?pleit]vt. 沉思;注視;思忖;預(yù)期
hyperkalaemia[?haip?kei'li:mi?]n. 高鉀血癥
dumpster['d?mpst?]n. 大型垃圾裝卸卡車;垃圾大鐵桶
forensic[f?'rensik]adj. 法院的;辯論的;適于法庭的
mugger['m?g?]n. 行兇搶劫者;偷襲搶劫者
exoneration[ig?z?n?'rei∫?n]n. 免除;免罪
speculation[?spekju'lei∫?n]n. 投機;推測;思索;投機買賣
重點掌握
■ John contemplates several ideas that do not pan out and is defeated more than once,…
pan out是英語中一個固定短語,它的常用意思是“(在淘選中)淘出金子;在淘選中淘掉(沙子等)”,比如:They had been working in the stream for a week but they hadn't panned out. 他們在那條小河里淘洗了一個星期,但沒有淘出金子。它還有“移動鏡頭;拍攝全景”、“發(fā)展;逐漸過去”的意思,比如:The camera panned out over the crowd. 攝影機拉開鏡頭拍攝人群全景。此外,它還可以表達“產(chǎn)生結(jié)果;成功”的意思,也就是該短語在文中的意思,比如:We hope things will pan out as we expect. 我們希望事情的結(jié)果如我們所料。

Paul Haggis Interviewed by Perri Nemiroff
I'm sure you have your choice of projects to take on, so why The Next Three Days?
I've always wanted to do a thriller. I'm a filmmaker and I was most influenced by Hitchcock's films. How he could plant such deep enriched characters and then make us care both about the antagonist and protagonist was masterful. I also loved films like Three Days of the Condor where Sydney Pollack was able to manipulate us into caring about these two people who shouldn't be together and yet pulling you into a thriller. So I thought, that would be a lot of fun for me and then I saw this little film and it was very slight, it was like an 84 minute film, but had great balance and so I thought it asked the question it didn't have time to fully explore and I figured I could ask my own questions about it.
Did you stick closely to the story of the original French film Pour Elle?
The format is the same. There are a couple of places where the shots are the same. I tried to do something different, that filmmaker just did a better job, so I said, “I'm going to go with him”, but it was just a couple. There are signposts all the way through that are exactly the same, but then my film is two hours and ten minutes, theirs is 84 minutes, so there's a lot more stuff in it.
我相信你對要承接的拍攝項目是有所擇取的,為什么選擇了《危情三日》?
我一直想拍一部驚險片。我是制片人,受希區(qū)柯克電影的影響最多。他是如何能創(chuàng)造出如此深刻的角色,然后讓我們既要關(guān)心反對者也要關(guān)注支持者是值得學習的。我也喜愛電影,像《禿鷹七十二小時》,西德尼·波拉克能夠控制我們關(guān)注這兩個不該在一起的人,并把你帶入驚險。所以我想,對我來說那會很有趣,然后我看到了這個小電影,非常纖小,一部84分鐘的電影,但很均衡,所以我想提出的問題還沒有充分的時間探討,我想這就是我要問自己的問題。
你貼近了原法國電影《一切為了她》的故事嗎?
形式相同。拍攝的地點也有幾處相同。我嘗試不同的創(chuàng)造,制片人要做得更好些,所以我說,“我要跟他走”,但只是幾處。那是一路上通過的路標,完全相同。但后來我的電影是2個小時10分鐘,他們的是84分鐘,所以這里面還有更多的東西。

本片翻拍自法國電影《一切為了她》,盡管是部翻拍片,但是其中也加入了導演、編劇保羅·哈吉斯自己的創(chuàng)作,比如本片在匹茲堡拍攝的場景,很多并不是像通常那樣在拍攝前就寫好。據(jù)哈吉斯透露,他有將近380個鏡頭,是到了匹茲堡之后,被那里的環(huán)境感染,之后在拍攝過程中才創(chuàng)作出來的。
在2009年的秋天,匹茲堡頗受好萊塢垂青,除《危情三曰》外,愛德華·茲威克攜安妮·海瑟薇與杰克·吉倫哈爾拍攝的《愛情與靈藥》(2o10年),托尼·斯科特率領(lǐng)丹澤爾·華盛頓與克里斯·派恩演繹的《危情時速》(2010年)也在這里取景。
本片在匹茲堡拍攝時,讓當?shù)乇O(jiān)獄不少工作人員有幸當了把群眾演員,露了下臉,比如監(jiān)獄主管多尼斯就很滿意地表示,“我在片中就扮演我自己,將告知主要角色關(guān)于安全方面的問題。”
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